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Duke Ellington


Duke Ellington

Duke Ellington

In this part of the lesson, we will learn about jazz's greatest composer, arranger, and bandleader, Duke Ellington, and several of his well-known sidemen. We will observe how Duke utilized the individual talents of his musicians to develop an orchestra unlike any other.

Fletcher Henderson had established the model that most swing bands emulated; that is, orchestrations that pitted the brasses against the reeds, and vice versa. There was one band, though, that did things differently, thanks to the compositional genius of its  leader, Duke Ellington.

Duke Ellington (1899-1974) was the greatest composer of the swing era, and, many would say, the greatest composer in the history of jazz. Fittingly, among the considerable array of anointed jazz "royalty," perhaps none conducted himself with greater aristocratic bearing than the "Duke" himself.

Edward Kennedy "Duke" Ellington was born in Washington, DC and grew up there in modestly comfortable circumstances. His father was a butler for a successful medical doctor, and Ellington grew up in the doctor's home. His mother devoted herself to his upbringing, and from an early age, he was encouraged to believe that he was destined for greatness8.

Ellington's artistic inclination led him initially in the direction of visual arts, and for a time he considered becoming a commercial artist. But his love of music, along with the informal education in ragtime piano he was receiving at a local pool hall, set him on a different course. He became more serious about music as a profession, taking lessons in harmony and studying the piano rolls of James P. Johnson. By the early 1920s, Ellington had established himself in the Washington area as a pianist and bandleader. In 1923, he made his way to New York with a number of his sidemen9.

While success was far from immediate, Ellington persevered. From 1924 to 1927, engagements in downtown Manhattan at the Club Kentucky brought his band notice. Then, in 1927, Duke Ellington and His Orchestra began a four-year engagement at the Cotton Club in Harlem, arguably the center of the jazz world during those years.

"In music, as you develop a theme or musical idea, there are many points at which directions must be decided, and at any time I was in the throes of debate with myself, harmonically or melodically, I would turn to Billy Strayhorn. We would talk, and then the whole world would come into focus. The steady hand of his good judgment pointed to the clear way that was fitting for us. He was not, as he was often referred to by many, my alter ego. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine."

-Duke Ellington

Billy Strayhorn's last composition was "Blood Count" (originally titled "Blue Cloud"), written during his battle with cancer. Duke Ellington debuted it at a concert in Carnegie Hall in March 1967 and never played it publicly again.